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| A Message From The Editor | Table of Contents | ||
| Dear Readers, This is my first venture into literary editing and publishing. Desert Moon Review has been a dream of mine - a site where poets can safely post and expect a workshop atmosphere; yet be encouraged to be the best they can be. I edited my church newsletter and at times casually supervised for years, but to present works by authors who work fervently toward perfection takes a few deep breaths. All the poets in our first edition of Crescent Moon are colleagues. A few were even solicited to post for submission. Although our site is new, and it's scope has yet to reach its zenith, our future looks bright. Our first month has far exceeded our expectations. With Tamar Silverman, skilled poet and our first staff person, this site and newsletter will publish good news and fine poetry when it comes our way. Ladies and Gentlemen, I give you the first edition poets! My best to all, Jim Corner Editor, Desert Moon Review |
Tamar Silverman Tamar on Poetry The Selections Gabriel Siegel Hoha Wes Jarrell II To Frost (from a Fawn), 1963 Teresa White Copalis Beach Paul K. Henry The Copper Kettle Tamar Silverman A Divorce for the Good of France Jim Corner Chasing Shadows |
| Tamar on Poetry |
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| In "A Defence of Poetry", Percy Bysshe Shelley writes, "We want the creative faculty to imagine that which we know." When I read that, I recalled what a professor told me a few years ago, " Write what you know and write as though your life depends on it." I am ashamed to admit it, but I should be dead many times over, for only now am I learning to write with thirst, to write with fervor, to write for my life. Being on staff at a poetry review has given me focus and motivation to improve, more importantly, it has given me the opportunity to contribute by teaching and encouraging other writers. I am indebted to Jim Corner for giving me a chance to spread these tiny wings and use my talent here at Desert Moon Review. I am also thankful to each of the poets who allow me to read and critique their art, which I know can be as close to a writer as his own skin. I once had an editor tell me that I should be grateful that he had even read my poems, but I disagree with that position; I feel grateful to all of you for sharing your work with me. Read as much poetry as you can find. The riches of poetry, past and present, are more readily available today than at any other time in history. The Internet has brought together a community of writers from many nations, walks of life, and abilities. Take advantage of this venue and give back as much as you take. If you learn, teach; if you teach, learn. Write what you know and write as though your life depends on it. Tamar Silverman |
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| The Selections |
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Hoha. Hoha. Hohahaha. you can hide in the oak chest Hoha. Hoha. Hohahaha. you can throw out all my clothes Hoha. Hoha. Hohahaha. the forest wide; the jungle deep Hoha. Hoha. Hohahaha |
To Frost (from a Fawn),
1963 by Wes Jarrell II In fall you iced all Copalis Beach by Teresa White Waves wash their cold vendetta onto this plain of sand. The beach goes on forever under the gulls' cry. No ship sails the fierce horizon. An oyster moon rises |
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The Copper Kettle by Paul K. Henry It's where green fingered people and chew over tall tales of watering cans and plot I walk past the open door, |
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| A Divorce for the Good of France By Tamar Silverman My Emulous Rival: Know love as the fruit after fruit; That you have gone to false Summer Is it written true that love lasts? Drag a knife across this belly, Marie. The Archduchess births a Roman king? O, France rejoices - Napoleon! A son! Build yourself a bower, Marie, O, Demons dream beyond the convent ground; If I find my voice, O, My signs of grief are sighs of love, Marie. |
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Chasing Shadows by Jim Corner Shadows crisscross my lawn, slide along Virtual birds rally my dog to urgent combat, A chaparral cock cannily scans the yard, |
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