|
A New Craft,
There is much joy and tribulation in this new craft.
Ten years ago when Kathy and I launched our travel
trailer in Silicon Valley to travel what one author
dubbed "the seven continents of the United States,"
I chose poetry as my avocation and Kathy chose birding.
For both of us, each craft has become somewhat of a
matter of crossing over to the other. We both have
enjoyed them and have made delightful, yet wrenching
strides in both – so it is with passions, yet not so
much with our matrimony – mostly joy with little
wrenching.
This introduction given, my new craft is book binding.
Not hardback, oh no, who publishes in hardback?
Paperback is the challenge! Having come from a dirt farm
in southern Missouri I started from scratch, the same method
used by Mom when whipping up a red devil-food cake.
White paper, a P.C., a simple press for aligning pages
and cover, Weldwood glue and a sharp eye and deft fingers,
my paperbacks are emerging. I've turned out ten, all with
a few flaws, but my mentor tells me "what paperback from
the corporate publisher is without a kink or two."
By the time my book is ready with sketches and contents
and the legal paperwork – my lovely original cover and
tender touch, you'll exclaim, "Wow, how cool."
My second book entitled "My Life in Seven Seconds" should
be out sometime this month. In a short while, perhaps you'll
ask me about publishing your book for a few wee pence.
Jim Corner, Bookbinder
>BACK TO TOP

About This Issue
I don't like to talk about myself in the third person, as if I'm not here and not speaking. I am David Benson, new editor for Moon Notes.
If you have news you want to submit to the next issue or any comments or suggestions, e-mail me at bloodyone@gmail.com. (really -- it's a vampire thing.)
I haven't yet posted an About Me because I've not yet decided what I want to say. Call it a creative slump.
This issue of Moon Notes is jammed with good information, startling revelations and observations. Have a look. You won't be disappointed.
>BACK TO TOP
Interview with D.J. Houston
If you would like, could you tell us a little about yourself? Whatever it is that seems important to you that others should know about you.
As my online bio states, I have been writing poetry for approximately a quarter of a century. I don't have (or maybe don't make) time to write much (sometimes I fail to know which one of those two verbs are true) anymore. I have, once again, been spending some time revising my one and only manuscript of poems entitled, "Matter Of Time" which I intend to have published. But I'll have to stop revising long enough to send it out for consideration ...
I am an educator by profession and currently work in a women's correctional facility as a GED teacher, helping students obtain their high school equivalency diploma.
I am a humanitarian by nature and believe that as humans we are all equal under the dominion of one God, and that all living things possess a spirit & soul created by that same God.
I am 16 years married to a kind man, and blessed to still have my mother (as well as quite a few other dear relatives) alive and well. I have one sister to whom I am managing to get closer.
I have won one online poetry competition at the now discontinued "Planet Poetry," and had poems published for the first time in 2004, in the Hatch-Billops "Artist and Influence" annual literary journal, Vol.#XXIII of which I am both proud and very grateful.
As a poet, what intrigues you – in terms of topics, I suppose, but also in terms of the technical matters of poetry?
I have an insatiable appetite for "Good Poetry". Granted, I know that poetry, like any other art is subjective; but I am deeply affected by, and have a profound respect for poems that exhibit a comparable level of craft. If there is also evidence of talent (in my subjective opinion, of course) then that is a welcomed treat for me. I think poetry as an art form is, and should always be evolving. I think as poets, critics and a general community of support, we need to encourage one another to develop & write outside of the existing boxes, letting how we are being affected by poems be the Litmus test of what works or doesn't work. It is because poetry is art that people have to find their own way in their own time; we can only offer one another our opinions about matters ...
At this point in your career, you come to Desert Moon Review as one of your workshops. What is it that attracts you to DMR and to the mix of poet-critics that have settled here?
In my opinion there is a level of craft and talent exhibited by poets at DMR that I can appreciate, and that I aspire to learn from.
Among the poets that you read, what are your favorites? and what about them attracts you to their work?
My favorite poet is a fairly unknown poet with whom I went to college. He goes by the pen name, Antonio Rua and some of his work can be read on my founding (but very inactive) poetry site, "Writers Work" http://p076.ezboard.com/fwritersworkfrm24. Antonio's poems are pure, undulating poetry. They're unearthing and highly creative stories. In my opinion, he has been incapable of writing a bad poem, and therefore inspires me.
I tend to be drawn to the Latin poets like Pablo Neruda, Octavio Paz, Cesar Vallejio because of their fire and passion, but the bottom line is that I appreciate all "good" poets – like Lanston Hughes, for his simplicity and voice of truth, or contemporary poet Harryette Mullen, for her quick, creative wit. Then there's CK Williams' artistic matter-of-factness, or Welden Kees' forlorn craft. These are a few of the many masterful poets who have oftentimes moved me to tears.
Is there anything else you would like to share with us?
Just that I am happy and honored to be among such a talented group of writers here at Desert Moon Review.
>BACK TO TOP

IBPC Nominations for November 2006
Going to IBPC for the November Interboard Poetry Competition
I am pleased to announce the three poems that members chose to go to the Interboard Poetry Competition to represent Desert Moon Review in the November contest. They are:
"Learning Your ABC's" by Laura Polley
"Devon Song" by Laurie Byro
"Playing with a Desktop Globe" by S. Thomas Summers
Congratulations, Laura, Laurie, and Scott! The best of success to you in this month's contest. I have a feeling Desert Moon will do well this month. :-)
By member nomination, the following were the poems nominated during the past month:
"Devon Song" by Laurie Byro - nominated by Mitchell Geller
"Ghillie Dhu" by Laurie Byro - nominated by Christopher T. George
"Damned and Unrepentant on the Amtrak" by Guy Kettelhack - nominated by Christopher T. George
"Learning Your ABC’s" by Laura Polley - nominated by Guy Kettelhack
"Morning Commute: Listening to Variation on a Norwegian Folk Tune" by S. Thomas Summers - nominated by Marie Gail Stratford
"Playing with a Desktop Globe" by S. Thomas Summers - nominated by Guy Kettelhack
As we can see it was another excellent month writing-wise here at Desert Moon Review with the poems nominated being only a few of the fine poems workshopped on our site. Thank you everyone who helped participate in the nomination process.
Desert Moon Review and the October Interboard Poetry Competition
In the October IBPC, three Desert Moon Review members were recognized. Yolanda Calderon-Horn achieved an honorable mention for DMR with "The Thing about this Theory"; Bret Addison, representing The Critical Poet, got an honorable mention with "One Winter in Whidbey Island"; and DMR editor Chris George, representing The Writer's Block, placed third in the competition with his poem, "Joseph Kony." See "October IBPC Results ... well done Yoly, Chris & Bret!" http://www.thedesertmoonreview.com/discus/messages/14096/21811.html
Chris George, Editor
Desert Moon Review
>BACK TO TOP

Desert Moon Authors Published
by Sarah Sloat
A whole pouch of Moonies is in Margaret Griffiths’ issue of Worm 37. They are Jim Corner with "Smells of Umbra," Chris George with "Last Cricket of Summer," Mitchell Geller with "Thé Dansant 1910," and Fred Longworth with "He Fought in Desert Storm." To receive a copy of this issue, contact Margaret Griffiths at wordbug@btinternet.com.
In big news, S. Thomas Summers, also known as Scott, has a book out! Death Settled Well is available from Shadow Poetry. You can read the first review of Scott’s book and find ordering information at his blog: http://poetry-is.blogspot.com. Elsewhere, Scott’s poem Morning Walk will appear in the December issue of The Orange Room Review.
Sarah Sloat’s "The Annotated Alice" appears in the new Wicked Alice -- http://www.sundress.net/wickedalice/. Her poem "In the Voice of a Minor Saint" is in the upcoming Kaleidowhirl http://home.alltel.net/ellablue/, and "On the Bank" and "Logbook" will be in the Fall issue of DMQ Review -- http://www.dmqreview.com. A lament, "On Receiving a Rejection Note One Year and Seven Months After Submitting," is also upcoming at juked -- http://juked.com.
Laura Polley’s "The Tao of Ants" appears in the current Autumn Sky Poetry http://www.autumnskypoetry.com.
>BACK TO TOP

Geraldine R. Dodge Poetry Festival, Waterloo Village, Stanhope, New Jersey, September 28 – October 1, 2006
by Laurie Byro
There is a reason that former U.S. Poet Laureate Robert Hass has called this festival "poetry heaven" as it is the largest poetry event in North America.
To describe my experience at the festival and its value to the Lee Memorial Library of Allendale, New Jersey, who sponsored my attendance at the festival, in regard to forwarding literacy and the advancement of poetry would be impossible.
 |
|
Laurie Byro with Coleman Barks at the Dodge Festival |
A typical day at the festival begins at 8:00 a.m. and I attended more than 40 hours of seminars, readings and performances by both contemporary American and poets from around the world. British poet laureate Andrew Motion concluded Sunday morning discussing "laureateship" and the differences with former U.S. Poet Laureate Billy Collins. This is the first time in the history of "laureateship" that this has been done. Poets from Korea, Jerusalem, Nazareth, and Bangladesh read their works in their native languages and had translators reading their poems in English by accompanying companions and friends to poetry. These poets defy boundaries.
I was fortunate to speak with respected poets and teachers about the poetry circle of the Lee Memorial Library and what we hoped to accomplish by promoting readers of poetry. Many of these poets have been topics of discussion in the past 6 years. I was pleased that Coleman Barks, the pre-eminent translator of the Persian poet Rumi, called ME a friend to poetry because I have 15 poetry members that feel their lives were enriched discussing these Coleman Barks translations.
I was inspired by 19-year-old Mexican poet Ekiwah Adler-Belende who is from a small town in Mexico and who was born with cerebral palsy and paralytic scoliosis. His name means "warrior" -- and Ekiwah's voice could not be silenced by disease.
The wife of Ko Un, Korea’s most revered living poet, said she would send to our library a book of her husband in Korean when I mentioned the large Korean readership we have. This is one example of how valuable a seminar like this is to the Lee Memorial Library. Ko Un explained his experience when a poet he had read called to say he was coming to visit him in Korea and that poet turned out to be Allen Ginsberg.
Each evening there were samplers and performances by poets that went on until 10:00 p.m. and I attended almost all events. The opportunity that the Lee Memorial Library has given me by allowing me to bring "poetry into the branches" through our circle and discussions I have had with the readership of Allendale is enormous.
I quote Ekiwah Adler-Belendez when he describes how he wou ld like poetry to be experienced using him as the conduit: "My heart is an apple. Bite it. Until only the crystal core is left."
I thank Carol Cannon and the board members of the library for sponsoring me for this festival. For more information on the Dodge Poetry program and festival, visit http://www.grdodge.org/poetry/.
>BACK TO TOP

Chris George Interview in "Fear" Issue of Triplopia
Desert Moon Editor Chris George is in the spotlight in the new "Fear" Issue of Triplopia, Volume V, No. 4. Go to http://www.triplopia.org/.
The interview is wide-ranging, covering, in addition to Chris's creative writing interests as well as his historical pursuits on the War of 1812 and Jack the Ripper, his thoughts on the Internet, and the writing art in general.
Included in the poetry section are Chris's poems "The Ghosts of Cambodia," "Morecambe Bay Cocklers Tragedy," "Apple Blossom and Roses at Auschwitz," and two poems in the interview, "A Pack of Lies" and "My Book Is Eaten By Termites" and an excerpt from "Jack: The Musical" by Chris and French composer Erik Sitbon.
>BACK TO TOP
Do you have an announcement of publication, an essay, a rant, or a letter to the editor?
Send it to David Benson at MoonNotes.

MoonNotes is a monthly publication of the Desert Moon Review.
|
|
|
|
|
|